很早就把FF meta用在了夢(mèng)幻流行樂隊(duì)Saint etienne 1993年的專輯《So Tough》的封面上。圣艾蒂安是一個(gè)公平的、概念性的;受60年代流行音樂和80年代家庭音樂的影響;我猜這可能是他們最容易接近的專輯。而帶有曲目名稱的六十年代復(fù)古套筒則相當(dāng)符合他們的審美特征。我已經(jīng)很多年沒有仔細(xì)看袖子了，當(dāng)我看到現(xiàn)在看起來像是經(jīng)典的90年代字體時(shí)，我感到非常驚訝。我把它想象成《單型》、《怪誕》、《濃縮》或《交替哥特式》之類的東西。順便說一下，封面照片是主唱Sarah Cracknell的童年照片。(不太上相的器樂演奏家鮑勃·斯坦利(Bob Stanley)和皮特·威格斯(Pete Wiggs)被降級(jí)到封底。)專輯名稱可能是兔耳朵，只有小寫版本的泰坦尼克號(hào)/赫拉克勒斯，與長(zhǎng)替補(bǔ)迪斯科更多信息]
">A really early use of FF meta on the cover of dreampop band Saint Etienne’s 1993 album So Tough.Saint Etienne are a fairly “conceptual” group influenced by sixties pop and eighties house music — at a guess this is probably their most accessible album — and the retro-sixties sleeve with the track names listed is quite characteristic of their aesthetic.I hadn’t looked at the sleeve closely for years and was quite surprised to see what now seems like a classic 90s font — I’d imagined it being something like Monotype Grotesque Condensed or Alternate Gothic. The cover photograph is a childhood photo of lead singer Sarah Cracknell, incidentally. (The less photogenic instrumentalists Bob Stanley and Pete Wiggs are relegated to the back cover.)The album title is probably in Bunny Ears, a lowercase-only version of Titanic/Hercules, with long alternates for ‘b f h k l’[More info on Discogs]
